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- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- Anthologies and OrthodoxiesEssay1 May 1987
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- An Interview with Archie WellerEssay1 October 1993
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Les Murray: A Selective ChecklistEssay1 October 2001