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My Brilliant Career and 1890s Goulburn

The Solitariness of Alex Miller

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Excavating a Bonanza: Sarah Campion

The Fiction of Gabrielle Lord

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Dorothy Hewett’s Faith in Doubt

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Veronica Brady’s Biography of Judith Wright

*Geoffry Hamlyn* and Its Australian Setting

The Company She Keeps: Demidenko and Imposture in Autobiography

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Imagining Transcendence: The Poetry of David Malouf

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’