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- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- The Telling of Marmel’s StoryEssay1 June 2009
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Review of Martin Boyd, by Brenda NiallReview1 October 1979