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Anthologies and Orthodoxies

Ripping Yarns, Ideology, and *Robbery Under Arms*

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

*Ralph Rashleigh*: A Convict Dream

Gentlefolk Errant: The Family Writings of Martin Boyd

Some Mary Gilmore Letters

Alan Seymour

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Gossip and History in the Novels of Brian Penton and Thomas Keneally

The Short Story Cycles of Frank Moorhouse

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Worlds Apart? Finnish Translations of Australian Literature

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*