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Literary Criticism in Australia: A Change of Critical Paradigms?

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Words, Sticks and Stones: Keneally, Literature and Social Impact

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Literary Aspiration and the Papers of William Gosse Hay

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

**Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**

Inner Voices and the First Coil

A Survey of Australian Utopian and Dystopian Fiction

David Malouf’s *Child’s Play* and ‘The Death of the Author’

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Gender and Genre in Barbara Baynton’s *Human Toll*

Urban Influence on Australian Literature in the Late Nineteenth Century

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

An Absence of Partisanship

Australian Literary and Scholarly Publishing in Its International Context

‘Roost High and Crow Low’: The Legacy of Barry Andrews