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The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Manifesting Literary Feminisms: Nexus and Faultlines

Australian Gothic: Theatre and the Northern Turn

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Words, Sticks and Stones: Keneally, Literature and Social Impact

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Beatrice Davis and ‘The Sacredness of the Printed Word’

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)