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- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- The Telling of Marmel’s StoryEssay1 June 2009
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009