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- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*Essay1 October 1968
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- D.H. Deniehy as a Critic of Colonial LiteratureEssay1 May 1980
- Myth and the Poetry of A. D. HopeEssay1 October 1975
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- Country Poetry and Town Poetry: A DebateEssay1 May 1979
- A Mate in PublishingEssay1 November 1994
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- English Studies: A Personal JourneyEssay1 June 2013
- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Christina Stead: A ChecklistEssay1 October 1980
- Interview with Andrew TaylorEssay1 May 2004
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999