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- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- **Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**Essay15 December 2025
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Decomposing Suburbia: Patrick White’s PerversityEssay1 November 1998
- The Drowned World of Kenneth SlessorEssay1 May 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Gender ButtonsEssay1 November 2009
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993