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- The Spirit of the Creek!Essay1 May 1968
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Australian Novels in FrenchEssay1 October 1974
- PreoccupationsEssay1 May 1990
- Review of *The Devil and James McAuley*, by Cassandra PybusReview1 May 2000
- Review of *Journal of an Era: Notes from the Red Letter Days*, by Jack BeasleyReview1 October 1989
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- C. Hartley Grattan RememberedEssay1 May 1996
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Judith Wright’s Delicate BalanceEssay1 October 1980
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Means and Ends in WritingEssay1 October 1979