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Worlds Apart? Finnish Translations of Australian Literature

Review of *Henry Handel Richardson: Fiction in the Making* by Axel Clark, *The Importance of Being Eve Langley* by Joy L. Thwaite, and *The Last Exquisite: A Portrait of Frederic Manning* by Verna Coleman

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Transgressing Language?: The Poetry of Ania Walwicz

Review of *A Long and Winding Road: Xavier Herbert's Literary Journey*, by Sean Monahan

Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian Whitlock

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

The Literary Reputation of Adam Lindsay Gordon

Review of *The Bibliography of Australian Literature, A- E*, *Index to Serials in Australian Periodicals and Newspapers: Nineteenth Century*, and *The Poems of Charles Harpur: An Analytical Finding List*

Review of *Fabulating Beauty: Perspectives on the Fiction of Peter Carey*, edited by Andreas Gaile

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Review of *David Malouf*, by Don Randall

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

Review of *Literary and Social Diasporas: An Italian Australian Perspective*, edited by Gaetano Rando and Gerry Turcotte

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Review of *London Was Full of Rooms*, edited by Tully Barnett, Nena Bierbaum, Syd Harrex, Rick Hosking and Graham Tulloch

Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela Bennie

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul Genoni