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‘This Country is My Mind’: Les Murray’s Poetics of Place

Folie, Topography and Family in Murray’s Middle-Distance Poems

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Indigenous Literature and the Extractive Industries

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Interview with Thomas Keneally, Manly, 27 June 2012

Interview with Barbara Hanrahan

Interviewed by Martin Harrison

Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban Intelligentsia

Narrative Technique in Lawson

The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]

True Tales and False Alike Work by Suggestion: The Poetry of A.D. Hope

A Mate in Publishing

Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*

Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam Shoemaker