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Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Poetry and Politics in Oodgeroo: Transcending the Difference

Still Life: Art and Nature in Vivian Smith’s Poetry

Michael Wilding’s Three Centres of Value

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Dorothy Hewett’s Faith in Doubt

In His Own Sweet Time: Carmen’s Coming Out

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Finding Home: The Poetry of Margaret Scott

Elizabeth Jolley’s Late Work

Counter-Poetics

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

Local Moderns: The Jindyworobak Movement and Australian Modernism