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The Craftsmanship of Lawson Revisited

Gentlefolk Errant: The Family Writings of Martin Boyd

Dreams and Visions in *The Tree of Man*

The Structure of Frederic Manning’s War Novel *Her Privates We*

‘The Orange Tree’ and the Limitations of Poetry

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Poetry and Politics in Oodgeroo: Transcending the Difference

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

Man, Work and Country: The Production of Henry Lawson

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Les Murray: A Selective Checklist

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Criminal Transport: George Barrington and the Colonial Cure

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Brereton, the *Bulletin*, and A.G. Stephens

‘Talking with Yagan’s Head’: The Poetry of John Mateer