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- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Review of *This Crazy Thing a Life: Australian Jewish Autobiography*, by Richard FreadmanReview1 October 2010
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral ElegyEssay30 June 2015
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Authors’ Statements [Barry Hill]Essay1 October 1981
- Interview with Barbara HanrahanEssay1 May 1983
- Review of *Adam Lindsay Gordon: a Comprehensive Bibliography* by Ian F. McLarenReview1 October 1987
- Tranter’s PlotsEssay1 May 1989
- Is There No End to Travelling? Paul Carter in the Linguistic No-Man’s-LandEssay1 May 1995
- Repetition and Menace in Hal Porter’s ‘The Tower’Essay1 May 1973
- Patrick White’s First BookEssay1 October 1974
- Review of *Marjorie Barnard and M. Barnard Eldershaw* by Louise E. RorabacherReview1 October 1974
- *New Poetry*Essay1 October 1977
- Review of *Journal of an Era: Notes from the Red Letter Days*, by Jack BeasleyReview1 October 1989
- Performance for the PeopleEssay1 November 1994