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‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Literary Aspiration and the Papers of William Gosse Hay

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Conceptualising Irish-Aboriginal Writing

Teaching the Value of Literature (and Other Paradoxes)

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Les Murray’s Talking Mosaics

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians

Challenging the Editing of the Rachel Henning Letters

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles