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Annual Bibliography of Studies in Australian Literature: 1973

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

‘But who considers woman day by day?’: Australian Women Poets and World War I

In the Beginning: David Malouf’s *An Imaginary Life*

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Literary Aspiration and the Papers of William Gosse Hay

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Conceptualising Irish-Aboriginal Writing

Teaching the Value of Literature (and Other Paradoxes)

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Les Murray’s Talking Mosaics

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit