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- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013