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Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s Interests

Becoming Native: Australian Novelists and the New Zealand Wars

‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s Readers

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

Introduction: Writing Disability in Australia

Conceptualising Irish-Aboriginal Writing

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Recentring Water: Thinking with the Chain of Ponds

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Transforming *Jane Eyre*: Its Australian Stage Adaptations

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Charles Harpur and the Myth of Origins

The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain Poems

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself