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- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Coetzee’s WomanizingEssay25 February 2018
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- James McAuley’s Captain QuirosEssay1 May 1987
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- New Light on Ada CambridgeEssay1 May 1989
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Thomas Keneally and the Scheme of ThingsEssay1 May 1979
- Australian Poems on European PaintingsEssay1 June 1991
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990