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Review of *Too Far Everywhere: The Romantic Heroine in Nineteenth-Century Australia*, *Seeking the Centre: The Australian Desert in Literature, Art and Film*, *The Diaries of Barbara Hanrahan* and *Woman and Herself: A Critical Study of the Works of Barbara Hanrahan*

When ‘History Changes Who We Were’

Letter to the Editor

Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

Review of *Lohrey* by Julieanne Lamond

Review of *Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene* by Kathrin Bartha-Mitchell

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Writing Places in the Spaces of AI

The ABC and The Sponsorship of Australian Radio Drama: 1932-1951

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

The Hero’s ‘Fear of Freedom’ in Keneally