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- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- David Campbell’s Poetic MindEssay1 October 1984
- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary BackgroundEssay1 October 1982
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007