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- Review of *Lohrey* by Julieanne LamondReview2 May 2023
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- An Interview with Archie WellerEssay1 October 1993
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010