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‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*

‘Things are Cast Adrift’: Brian Castro’s Fiction

Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary Australia

‘Down at the Dump’ and Lacan’s Mirror Stage

Review of *Quadrant: Twenty-Five Years' ed. Peter Coleman, Lee Shrubb, Vivian Smith, and *A Possible Contemporary Poetry* ed. Martin Duwell

The Citizenship of Peter Porter

Review of *National Fictions: Literature, Film and the Construction of Australian Narrative* by Graeme Turner

Introduction

Why Australia? Or Against the Fragmentation of English Literary Studies

Literary Festivals and Cultural Consumption

David Campbell’s Poetic Mind

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

Michael Wilding’s Three Centres of Value

Professing the Popular: Political Fiction circa 2006

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

Counter-Poetics

At the Edge: Geography and the Imagination in the Work of David Malouf

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*