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- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006