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- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Review of *Kenneth Slessor* by Herbert C. JaffaReview1 October 1971
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- An Interview with W. Hart-Smith on the JindyworobaksEssay1 October 1979
- Art Builds on Art: Rosemary Dobson and Thea ProctorEssay1 May 1975
- Australian Children’s BooksReview1 May 1972
- Review of *An Introduction to the Australian Novel 1830-1930* by Barry ArgyleReview1 October 1973
- Edgy Laughter: Women and Australian HumourEssay1 October 1993
- New Directions Via *A Body of Water*Essay1 October 1995
- Review of *Too Far Everywhere: The Romantic Heroine in Nineteenth-Century Australia*, *Seeking the Centre: The Australian Desert in Literature, Art and Film*, *The Diaries of Barbara Hanrahan* and *Woman and Herself: A Critical Study of the Works of Barbara Hanrahan*Review1 May 1999
- Alan Wearne: InterviewEssay1 November 1998
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024